HARPSICHORDS - tradução para árabe
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HARPSICHORDS - tradução para árabe

PLUCKED-STRING KEYBOARD INSTRUMENT
Harpsichords; Harpsichord Materials; Clavecin; Clavicembalo; Harpischord; Harpsicord; English Virginal; Clavicymbal; Harpsi; Clavessin; Virginalls; Virginall; Harpsicon; Harpsicall; Arpicordo; Klavecimbel; Pedal harpsichord
  • Detail of the harpsichord by Karl Conrad Fleischer; Hamburg, 1720 in [[Museu de la Música de Barcelona]]. A decorative rose descends below the soundboard in which it is mounted; the soundboard itself is adorned with floral painting around the rose. The bridge is at lower right.
  • Little Prelude in C major]] being played on a harpsichord
  • This harpsichord is the work of two celebrated makers: originally constructed by [[Andreas Ruckers]] in Antwerp (1646), it was later remodeled and expanded by [[Pascal Taskin]] in Paris (1780).
  • Figure 5. Dogleg jack, English coupler system. When depressed, the upper key lifts the "dogleg" jack (jack A) upwards. The lower key lifts all three jacks A, B, and C.
  • An ottavino built by [[Arnold Dolmetsch]] in 1923, and modeled after a 1698 instrument by Joannes Carcassi
  • A false inner–outer harpsichord from the [[Deutsches Museum]] in [[Munich]]. The false inner case begins to the right of the keyboard, and continues backward only far enough to provide a slot to support the jack rail.
  • Figure 1. Schematic view of a 2 × 8<nowiki>'</nowiki> single manual harpsichord
  • Figure 3: how the harpsichord action works
  • Figure 2. Upper part of a jack
  • [[Jan Vermeer]]'s famous painting ''[[Lady Standing at a Virginal]]'' shows a characteristic practice of his time, with the instrument mounted on a table and the player standing.
  • A two manual harpsichord
  • Detail of the mechanism of the Harpsichord by Christian Zell, at [[Museu de la Música de Barcelona]]
  • 1430}}
  • Sound board of a harpsichord with [[Chladni]] patterns
  • Some early harpsichords and organs had a [[short octave]] in the lowest register. It replaced rarely used bass notes with more widely used notes.
  • Figure 4. French shove coupler. To the left: uncoupled keyboards. The depressed upper key lifts the jack A upwards. The depressed lower key lifts jacks B and C. To the right: The upper keyboard is coupled to the lower one by pulling the latter. The depressed upper key lifts the jack A upwards. The depressed lower key lifts jacks A, B and C.

HARPSICHORDS         

ألاسم

بِيَانُو قِيثَارِيّ

harpsichord         
N
البيان القيثارى
HARPSICHORD         

ألاسم

بِيَانُو قِيثَارِيّ

Definição

harpsichord
(harpsichords)
A harpsichord is an old-fashioned musical instrument rather like a small piano. When you press the keys, the strings are pulled, rather than being hit by hammers as in a piano.
N-VAR: oft the N

Wikipédia

Harpsichord

A harpsichord (Italian: clavicembalo; French: clavecin; German: Cembalo; Spanish: clavecín; Portuguese: cravo; Dutch: klavecimbel; Polish: klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute.

The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. The harpsichord was widely used in Renaissance and Baroque music, both as an accompaniment instrument and as a soloing instrument. During the Baroque era, the harpsichord was a standard part of the continuo group. The basso continuo part acted as the foundation for many musical pieces in this era. During the late 18th century, with the development of the fortepiano (and then the increasing use of the piano in the 19th century) the harpsichord gradually disappeared from the musical scene (except in opera, where it continued to be used to accompany recitative). In the 20th century, it made a resurgence, being used in historically informed performances of older music, in new compositions, and, in rare cases, in certain styles of popular music (e.g., Baroque pop).

Exemplos do corpo de texto para HARPSICHORDS
1. One friend knew a girl who knew a man who might know something about restoring harpsichords; another man definitely knew an expert, but something about the delicate state of his marriage meant we couldnt bring ourselves to call on his expertise; and time was running out.
2. "As you get older, you get out of context." "Who wept at the romance of the streets with their pushcarts full of onions and bad music, who sat in boxes breathing in the darkness under the bridge, and rose up to build harpsichords in their lofts . . . who scribbled all night rocking and rolling over lofty incantations which in the yellow morning were stanzas of gibberish." –– Ginsberg‘s "Howl " For a century, waves of Italian and Jewish, Puerto Rican and Ukrainian immigration swept over the dense tenements of the East Village –– which sits south of 14th Street and east of Third Avenue in Manhattan.